HIGHLIGHTS: Zineb Sedira’s ‘Of Words and Stones,’ showing at Beirut Art Center until December 23
24 Oct – 23 Dec 2018
French-Algerian artist Zineb Sedira works mainly in photography and video and this exhibition, according to a statement, “refers to the way some singular voices can trace paths through the blind alleys of history, at once building narrative and unraveling trauma and oblivion.”
SÜDOSTSCHWEIZ: Eine neue Kunstgalerie in Pontresina
3 Jan 2018
So manche Galerie muss mangels Wirtschaftlichkeit schliessen. Dennoch hat der Zürcher Galerist Roman Plutschow nun in Pontresina eine Filiale eröffnet. Die erste Ausstellung zeigt Turi Simeti, Otto Piene, David Casini, Saint Clair Cemin, Joanne Greenbaum und Peter Wüthrich.
MIAMI NEW TIMES: A Miami Curator Staged a Moldy Postapocalypse at the Venice Biennale
23 May 2017
The Miami New Times on Gal Weinstein's works displayed at the Venice Biennale. "Although the Israeli pavilion at the 57th Venice Biennale is covered in mold and rust, time seems like its true medium. The exhibition "Sun Stand Still," is one of the more poetic and political statements at this year’s biennale".
THE NATIONAL: Meet artists and discover more at the Guggenheim Abu Dhabi exhibition
19 May 2017
The National UAE on their exhibition Do Art, Do It Now!, which will consist of a series of performances that mirror the working methods of the Dubai-based trio of artists Ramin and Rokni Haerizadeh and Hesam Rahmanian; who created a large, multi-faceted installation for the exhibition at the Guggenheim Abu Dhabi.
HAARETZ: Something Is Rotten in the Israeli Pavilion of the Venice Biennale and It's Entirely Intentional
16 May 2017
A floor installation made of coffee that was poured into molds, and a sculpture depicting the clouds of missile launches. In an interview by Shany Littman, Israeli artist Gal Weinstein says he ignores the political aspect of his work at the 2017 Venice Biennale.
Article published by La Lettura, the insert of Italian newspaper il Corriere della Serra about the future collaboration between artists Ricardo Beretta and Assume Vivid Astro Focus for Plutschow's Gallery booth in MiArt 2017.
WELTWOCHE: Luciano Castelli's exhibitions at Helmhaus and PLUTSCHOW GALLERY
NY TIMES: But a Storm Is Blowing From Paradise: Contemporary Art of the Middle East and North Africa.
30 Aug 2016
Last spring, the Guggenheim’s board of trustees abruptly severed contact
with the Gulf Labor Coalition, an international watchdog group
monitoring the living and working conditions of migrant laborers in Abu
Dhabi, capital of the United Arab Emirates, where the Guggenheim
Foundation is building a new Frank Gehry-designed museum. The move, and
the protests that followed, happened to coincide with the third and last
of the museum’s UBS Map Global Art Initiative group exhibitions in New
York, this one called “But a Storm Is Blowing From Paradise: Contemporary Art of the Middle East and North Africa.”
Museum of Contemporary Art Santa Barbara presents avalanches volcanoes asteroids floods, a newly commissioned multi-sensory and site-specific installation by the vibrant New York/Berlin-based artist collective, assume vivid astro focus.
GuggenheimMAP: Zineb Sedira: Talk at Solomon R. Guggenheim Museum
12 Jul 2016
In this program, artists Ori Gersht and Zineb Sedira provide talks about their works on view in But a Storm Is Blowing from Paradise: Contemporary Art of the Middle East and North Africa. Following, they join Sara Raza, Guggenheim UBS MAP Curator, Middle East and North Africa, for a group discussion about themes in the exhibition.
Erstes Weiß-Wand-Projekt in einem chinesischen Museum—Kollision zwischen den Künstlern Tan Ping und Luciano Castelli. Die Ausstellung „ CHINAS ABSTRAKTION UND DIE FIGURATION DES WESTENS“ im SPSI Art Museum Shanghai ist ein weiterer Dialog nach der Ausstellung im „National Art Museum of China, Peking“ zwischen den beiden Künstlern und deren Kulturen. Weiterlesen >
New Wild Painters German Neoexpressionism From The 1980's 30 April to 23 October 2016, Groninger Museum
New Wild Painters will present an extensive overview of the figurative
painting that blossomed at the beginning of the 1980s in what was at
that time still West Germany. From 30 April, the Groninger Museum
showcases this intense work in New Wild Painters. Sure to spark
conversation, the exhibition focuses on the Neue Wilde groups of artists
that were active in Cologne, Berlin, Düsseldorf and Hamburg. This art
was part of a broad, international trend whereby in many countries,
young, ‘wild’ painters rebelled against the climate of the art world at
the time. The paintings are often rough and aggressive and sometimes
downright absurd, but almost always humorous and thought-provoking.
THE RIO TIMES: Audio Rebel Hosts First Edition of Convida Series, The Rio Times
14 Mar 2016
RIO DE JANEIRO, BRAZIL – Beginning Monday, March 14th, Audio Rebel in Botafogo will host the first edition of its Convida series. With cultural producer Chico Dub serving as curator for the inaugural edition, the series will feature performances of contemporary music, free improvisation, sound installations, dance performances and a discussion with Brazilian and international artists, including Raul Mourão and Chris Calvet...
The exhibition “The 80s: Figurative Painting in West Germany” shed light on the novel, disconcerting, and highly dynamic figurative painting that developed in the 1980s almost simultaneously above all in the centres Berlin, Hamburg and the Rhineland. Works by such artists as Ina Barfuss, Werner Büttner, Walter Dahn, Jiří Georg Dokoupil, Rainer Fetting, Georg Herold, Martin Kippenberger, Helmut Middendorf, Christa Näher, Albert Oehlen, Salomé and Andreas Schulze were on view.
Special group exhibition of Marlborough Gallery artists on view at Plutschow Gallery in Zurich.
Marlborough Chelsea is presenting Brunch Over Troubled Water a special group exhibition of gallery artists at Plutschow Gallery in Zurich, 11 June – 18 July. The exhibition features new painting, sculpture, video, prints and drawings by Mike Bouchet, Jonah Freeman & Justin Lowe, Drew Heitzler, Tony Matelli, and Davina Semo, and serves as a cross-section of Marlborough Chelsea’s program. The works are thematically linked by art-historical investigation, narrative strategies, pop-cultural reference and formal concerns, and cohere around a shared dedication to craftsmanship in the service of concept and content.
ART IN AMERICA: David Casini "Light measured. One soon gets used to it"
5 Jan 2015
Italian artist David Casini's first exhibition with Plutschow &
Felchlin, "Light, measured. One soon gets used to it," used the
gallery's sunlight-flooded central space to showcase eight small glass
vitrines, within which organic objects met man-made materials in spare,
airy arrangements. Each case is unique, but they all stand on slim,
brass-limbed bases and have bottoms containing a pietra dura
pattern in marble from the Arno River in Tuscany. Inside of one such
case, from the 2013 series "Momento in cui tutto questo ha un spazio" (A
time when all of this has a place), is part of a small, barbed fruit
with two curling tails. It has been sliced, and its flat edge brightly
painted and adhered to a side of the glass, where the fruit looks
potentially still alive...